Genre: cinematic jazz, electronica, groove, world, ambient
Label: Minority Records
Booking territory: worldwide
Agent: Dušan Svíba
Phone: +420 603 48 68 57
A broad take on jazz, a fascination with rhythmic sequences, and abstract vocals: Zabelov Group is the musical dialogue between Roman Zabelov, accordionist from Belarus, and Jan Šikl, Czech drummer and multi-instrumentalist. Their original acoustic puritanism gradually transformed into complex cinematic music accompanied by samples and acoustic instruments enhanced by electronics. Zabelov Group’s musical endeavour is permeated by the effort to maintain live contact with the instrument but provide the entire spectrum of club sounds while performing as a duo.
Zabelov Group is active on the Czech scene since 2012, their first work was a homemade recording “40.000 Km” (2012) followed by the live album “Secret Session” (2014). Their first studio album “Eg” (Minority Records, 2018) was a milestone which brought them on stages of clubs and festivals like Eurosonic Noorderslag Groningen, MENT Ljubljana, JazzFest Brno, Spring Break Poznan, Jazzinec Trutnov, Live Rock Toscana, Spectaculare Festival Prague etc. and received very good reviews from international media.
The duo’s latest work is “Madhouse Session EP”, released in 2020 by Minority Records. While the previous album “Eg” is a precisely puzzled highly-developed studio piece which came into being at multiple locations with contributions by various guest-artists and did not allow for all the tracks to be performed live due to its demanding nature, Madhouse Session is a live recording of concert preparations which were also partly previously performed live e.g. at the Dresden Jazzclub Tonne or as a support for Portico Quartet.
“Madhouse Session had a strong ambition to emancipate itself in the process of recording. Most of the old pieces were the work of soundengineer Matouš Godík, which was noticeable in the sounds and we were very happy with the collaboration. However, we needed to try the sound production ourselves. From samples to master recording it was up to us, everything was created in a home studio where we rehearse. We have to say that we are happy with the result. It turned out that limits are often opportunities for new and interesting solutions. We feel that we finished the process of a sort of musical emancipation“ says Jan Šikl.
Their unique interpretations fused ambient textures, freeform jazz, cinematic dance and even post rock into just under forty-five minutes, and for the most part was a revelation. Zabelov’s pained facial expressions throughout coupled with Sikl’s rhythmic accompaniments bore all the hallmarks of two craftsmen deep in concentration, fully focused on the task at hand. Gigwise.com
Unexpected, intrinsic music. Blending together sparse electronics with jazz flourishes, this duo manage to be both complex and effortless all at once. DIY magazine
It takes a little while to wrap your head around the quirks and offshoots embedded within Zabelov and Šikl’s music, but once it clicks you’ll have a hard time ignoring it. Allthingsloud.com
It is jazz, and it is not jazz. It is modernism, but full of tradition at the same time. It is a semi-improvised, complex musical structure thats swirls with a perfectionistic care about every sound and every detail. Beehy.pe
A bright flash on the alternative music scene. Reflex magazine
The potential of the sound possibilities and the interplay of the all-electronic modulated sound of accordion and percussion, functionally complemented by a host of other instrumental and vocal tracks and samples, is tightened to its full shape. This music defies the description. All the more colorful are the feelings it evokes. UNI cultural magazine